commit | author | age
|
a67156
|
1 |
# An example configuration file for MPD. |
J |
2 |
# Read the user manual for documentation: http://www.musicpd.org/doc/user/ |
|
3 |
|
|
4 |
|
|
5 |
# Files and directories ####################################################### |
|
6 |
# |
|
7 |
# This setting controls the top directory which MPD will search to discover the |
|
8 |
# available audio files and add them to the daemon's online database. This |
|
9 |
# setting defaults to the XDG directory, otherwise the music directory will be |
|
10 |
# be disabled and audio files will only be accepted over ipc socket (using |
|
11 |
# file:// protocol) or streaming files over an accepted protocol. |
|
12 |
# |
|
13 |
music_directory "~/Music" |
|
14 |
# |
|
15 |
# This setting sets the MPD internal playlist directory. The purpose of this |
|
16 |
# directory is storage for playlists created by MPD. The server will use |
|
17 |
# playlist files not created by the server but only if they are in the MPD |
|
18 |
# format. This setting defaults to playlist saving being disabled. |
|
19 |
# |
|
20 |
playlist_directory "~/.config/mpd/playlists" |
|
21 |
# |
|
22 |
# This setting sets the location of the MPD database. This file is used to |
|
23 |
# load the database at server start up and store the database while the |
|
24 |
# server is not up. This setting defaults to disabled which will allow |
|
25 |
# MPD to accept files over ipc socket (using file:// protocol) or streaming |
|
26 |
# files over an accepted protocol. |
|
27 |
# |
|
28 |
db_file "~/.config/mpd/database" |
|
29 |
# |
|
30 |
# These settings are the locations for the daemon log files for the daemon. |
|
31 |
# These logs are great for troubleshooting, depending on your log_level |
|
32 |
# settings. |
|
33 |
# |
|
34 |
# The special value "syslog" makes MPD use the local syslog daemon. This |
|
35 |
# setting defaults to logging to syslog. |
|
36 |
# |
|
37 |
log_file "~/.config/mpd/log" |
|
38 |
#log_file "syslog" |
|
39 |
# |
|
40 |
# This setting sets the location of the file which stores the process ID |
|
41 |
# for use of mpd --kill and some init scripts. This setting is disabled by |
|
42 |
# default and the pid file will not be stored. |
|
43 |
# |
|
44 |
#pid_file "~/.mpd/pid" |
|
45 |
# |
|
46 |
# This setting sets the location of the file which contains information about |
|
47 |
# most variables to get MPD back into the same general shape it was in before |
|
48 |
# it was brought down. This setting is disabled by default and the server |
|
49 |
# state will be reset on server start up. |
|
50 |
# |
|
51 |
#state_file "~/.mpd/state" |
|
52 |
# |
|
53 |
# The location of the sticker database. This is a database which |
|
54 |
# manages dynamic information attached to songs. |
|
55 |
# |
|
56 |
#sticker_file "~/.mpd/sticker.sql" |
|
57 |
# |
|
58 |
############################################################################### |
|
59 |
|
|
60 |
|
|
61 |
# General music daemon options ################################################ |
|
62 |
# |
|
63 |
# This setting specifies the user that MPD will run as. MPD should never run as |
|
64 |
# root and you may use this setting to make MPD change its user ID after |
|
65 |
# initialization. This setting is disabled by default and MPD is run as the |
|
66 |
# current user. |
|
67 |
# |
|
68 |
#user "joel" |
|
69 |
# |
|
70 |
# This setting specifies the group that MPD will run as. If not specified |
|
71 |
# primary group of user specified with "user" setting will be used (if set). |
|
72 |
# This is useful if MPD needs to be a member of group such as "audio" to |
|
73 |
# have permission to use sound card. |
|
74 |
# |
|
75 |
#group "joel" |
|
76 |
# |
|
77 |
# This setting sets the address for the daemon to listen on. Careful attention |
|
78 |
# should be paid if this is assigned to anything other then the default, any. |
|
79 |
# This setting can deny access to control of the daemon. Not effective if |
|
80 |
# systemd socket activiation is in use. |
|
81 |
# |
|
82 |
# For network |
|
83 |
#bind_to_address "any" |
|
84 |
# |
|
85 |
# And for Unix Socket |
|
86 |
#bind_to_address "~/.mpd/socket" |
|
87 |
# |
|
88 |
# This setting is the TCP port that is desired for the daemon to get assigned |
|
89 |
# to. |
|
90 |
# |
|
91 |
port "6600" |
|
92 |
# |
|
93 |
# This setting controls the type of information which is logged. Available |
|
94 |
# setting arguments are "default", "secure" or "verbose". The "verbose" setting |
|
95 |
# argument is recommended for troubleshooting, though can quickly stretch |
|
96 |
# available resources on limited hardware storage. |
|
97 |
# |
|
98 |
#log_level "default" |
|
99 |
# |
|
100 |
# Setting "restore_paused" to "yes" puts MPD into pause mode instead |
|
101 |
# of starting playback after startup. |
|
102 |
# |
|
103 |
#restore_paused "no" |
|
104 |
# |
|
105 |
# This setting enables MPD to create playlists in a format usable by other |
|
106 |
# music players. |
|
107 |
# |
|
108 |
#save_absolute_paths_in_playlists "no" |
|
109 |
# |
|
110 |
# This setting defines a list of tag types that will be extracted during the |
|
111 |
# audio file discovery process. The complete list of possible values can be |
|
112 |
# found in the user manual. |
|
113 |
#metadata_to_use "artist,album,title,track,name,genre,date,composer,performer,disc" |
|
114 |
# |
|
115 |
# This example just enables the "comment" tag without disabling all |
|
116 |
# the other supported tags: |
|
117 |
#metadata_to_use "+comment" |
|
118 |
# |
|
119 |
# This setting enables automatic update of MPD's database when files in |
|
120 |
# music_directory are changed. |
|
121 |
# |
|
122 |
#auto_update "yes" |
|
123 |
# |
|
124 |
# Limit the depth of the directories being watched, 0 means only watch |
|
125 |
# the music directory itself. There is no limit by default. |
|
126 |
# |
|
127 |
#auto_update_depth "3" |
|
128 |
# |
|
129 |
############################################################################### |
|
130 |
|
|
131 |
|
|
132 |
# Symbolic link behavior ###################################################### |
|
133 |
# |
|
134 |
# If this setting is set to "yes", MPD will discover audio files by following |
|
135 |
# symbolic links outside of the configured music_directory. |
|
136 |
# |
|
137 |
#follow_outside_symlinks "yes" |
|
138 |
# |
|
139 |
# If this setting is set to "yes", MPD will discover audio files by following |
|
140 |
# symbolic links inside of the configured music_directory. |
|
141 |
# |
|
142 |
#follow_inside_symlinks "yes" |
|
143 |
# |
|
144 |
############################################################################### |
|
145 |
|
|
146 |
|
|
147 |
# Zeroconf / Avahi Service Discovery ########################################## |
|
148 |
# |
|
149 |
# If this setting is set to "yes", service information will be published with |
|
150 |
# Zeroconf / Avahi. |
|
151 |
# |
|
152 |
zeroconf_enabled "yes" |
|
153 |
# |
|
154 |
# The argument to this setting will be the Zeroconf / Avahi unique name for |
|
155 |
# this MPD server on the network. %h will be replaced with the hostname. |
|
156 |
# |
|
157 |
zeroconf_name "Music Player @ %h" |
|
158 |
# |
|
159 |
############################################################################### |
|
160 |
|
|
161 |
|
|
162 |
# Permissions ################################################################# |
|
163 |
# |
|
164 |
# If this setting is set, MPD will require password authorization. The password |
|
165 |
# setting can be specified multiple times for different password profiles. |
|
166 |
# |
|
167 |
#password "password@read,add,control,admin" |
|
168 |
# |
|
169 |
# This setting specifies the permissions a user has who has not yet logged in. |
|
170 |
# |
|
171 |
#default_permissions "read,add,control,admin" |
|
172 |
# |
|
173 |
############################################################################### |
|
174 |
|
|
175 |
|
|
176 |
# Database ####################################################################### |
|
177 |
# |
|
178 |
|
|
179 |
#database { |
|
180 |
# plugin "proxy" |
|
181 |
# host "other.mpd.host" |
|
182 |
# port "6600" |
|
183 |
#} |
|
184 |
|
|
185 |
# Input ####################################################################### |
|
186 |
# |
|
187 |
|
|
188 |
input { |
|
189 |
plugin "curl" |
|
190 |
# proxy "proxy.isp.com:8080" |
|
191 |
# proxy_user "user" |
|
192 |
# proxy_password "password" |
|
193 |
} |
|
194 |
|
|
195 |
# |
|
196 |
############################################################################### |
|
197 |
|
|
198 |
# Audio Output ################################################################ |
|
199 |
# |
|
200 |
# MPD supports various audio output types, as well as playing through multiple |
|
201 |
# audio outputs at the same time, through multiple audio_output settings |
|
202 |
# blocks. Setting this block is optional, though the server will only attempt |
|
203 |
# autodetection for one sound card. |
|
204 |
# |
|
205 |
# An example of an ALSA output: |
|
206 |
# |
|
207 |
#audio_output { |
|
208 |
# type "alsa" |
|
209 |
# name "My ALSA Device" |
|
210 |
## device "hw:0,0" # optional |
|
211 |
## mixer_type "hardware" # optional |
|
212 |
## mixer_device "default" # optional |
|
213 |
## mixer_control "PCM" # optional |
|
214 |
## mixer_index "0" # optional |
|
215 |
#} |
|
216 |
# |
|
217 |
#audio_output { |
|
218 |
# type "alsa" |
|
219 |
# name "ALSA sound card" |
|
220 |
#} |
|
221 |
|
|
222 |
audio_output { |
|
223 |
type "pulse" |
|
224 |
name "PulseAudio" |
|
225 |
} |
|
226 |
|
|
227 |
# |
|
228 |
audio_output { |
|
229 |
type "fifo" |
|
230 |
name "my_fifo" |
|
231 |
path "/tmp/mpd.fifo" |
|
232 |
format "44100:16:2" |
|
233 |
} |
|
234 |
# |
|
235 |
# |
|
236 |
# An example of an OSS output: |
|
237 |
# |
|
238 |
#audio_output { |
|
239 |
# type "oss" |
|
240 |
# name "My OSS Device" |
|
241 |
## device "/dev/dsp" # optional |
|
242 |
## mixer_type "hardware" # optional |
|
243 |
## mixer_device "/dev/mixer" # optional |
|
244 |
## mixer_control "PCM" # optional |
|
245 |
#} |
|
246 |
# |
|
247 |
# An example of a shout output (for streaming to Icecast): |
|
248 |
# |
|
249 |
#audio_output { |
|
250 |
# type "shout" |
|
251 |
# encoder "vorbis" # optional |
|
252 |
# name "My Shout Stream" |
|
253 |
# host "localhost" |
|
254 |
# port "8000" |
|
255 |
# mount "/mpd.ogg" |
|
256 |
# password "hackme" |
|
257 |
# quality "5.0" |
|
258 |
# bitrate "128" |
|
259 |
# format "44100:16:1" |
|
260 |
## protocol "icecast2" # optional |
|
261 |
## user "source" # optional |
|
262 |
## description "My Stream Description" # optional |
|
263 |
## url "http://example.com" # optional |
|
264 |
## genre "jazz" # optional |
|
265 |
## public "no" # optional |
|
266 |
## timeout "2" # optional |
|
267 |
## mixer_type "software" # optional |
|
268 |
#} |
|
269 |
# |
|
270 |
# An example of a recorder output: |
|
271 |
# |
|
272 |
#audio_output { |
|
273 |
# type "recorder" |
|
274 |
# name "My recorder" |
|
275 |
# encoder "vorbis" # optional, vorbis or lame |
|
276 |
# path "/var/lib/mpd/recorder/mpd.ogg" |
|
277 |
## quality "5.0" # do not define if bitrate is defined |
|
278 |
# bitrate "128" # do not define if quality is defined |
|
279 |
# format "44100:16:1" |
|
280 |
#} |
|
281 |
# |
|
282 |
# An example of a httpd output (built-in HTTP streaming server): |
|
283 |
# |
|
284 |
#audio_output { |
|
285 |
# type "httpd" |
|
286 |
# name "My HTTP Stream" |
|
287 |
# encoder "vorbis" # optional, vorbis or lame |
|
288 |
# port "8000" |
|
289 |
# bind_to_address "0.0.0.0" # optional, IPv4 or IPv6 |
|
290 |
## quality "5.0" # do not define if bitrate is defined |
|
291 |
# bitrate "128" # do not define if quality is defined |
|
292 |
# format "44100:16:1" |
|
293 |
# max_clients "0" # optional 0=no limit |
|
294 |
#} |
|
295 |
# |
|
296 |
# An example of a pulseaudio output (streaming to a remote pulseaudio server) |
|
297 |
# |
|
298 |
#audio_output { |
|
299 |
# type "pulse" |
|
300 |
# name "My Pulse Output" |
|
301 |
## server "remote_server" # optional |
|
302 |
## sink "remote_server_sink" # optional |
|
303 |
#} |
|
304 |
# |
|
305 |
# An example of a winmm output (Windows multimedia API). |
|
306 |
# |
|
307 |
#audio_output { |
|
308 |
# type "winmm" |
|
309 |
# name "My WinMM output" |
|
310 |
## device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional |
|
311 |
# or |
|
312 |
## device "0" # optional |
|
313 |
## mixer_type "hardware" # optional |
|
314 |
#} |
|
315 |
# |
|
316 |
# An example of an openal output. |
|
317 |
# |
|
318 |
#audio_output { |
|
319 |
# type "openal" |
|
320 |
# name "My OpenAL output" |
|
321 |
## device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional |
|
322 |
#} |
|
323 |
# |
|
324 |
# An example of an sndio output. |
|
325 |
# |
|
326 |
#audio_output { |
|
327 |
# type "sndio" |
|
328 |
# name "sndio output" |
|
329 |
# mixer_type "hardware" |
|
330 |
#} |
|
331 |
# |
|
332 |
# An example of an OS X output: |
|
333 |
# |
|
334 |
#audio_output { |
|
335 |
# type "osx" |
|
336 |
# name "My OS X Device" |
|
337 |
## device "Built-in Output" # optional |
|
338 |
## channel_map "-1,-1,0,1" # optional |
|
339 |
#} |
|
340 |
# |
|
341 |
## Example "pipe" output: |
|
342 |
# |
|
343 |
#audio_output { |
|
344 |
# type "pipe" |
|
345 |
# name "my pipe" |
|
346 |
# command "aplay -f cd 2>/dev/null" |
|
347 |
## Or if you're want to use AudioCompress |
|
348 |
# command "AudioCompress -m | aplay -f cd 2>/dev/null" |
|
349 |
## Or to send raw PCM stream through PCM: |
|
350 |
# command "nc example.org 8765" |
|
351 |
# format "44100:16:2" |
|
352 |
#} |
|
353 |
# |
|
354 |
## An example of a null output (for no audio output): |
|
355 |
# |
|
356 |
#audio_output { |
|
357 |
# type "null" |
|
358 |
# name "My Null Output" |
|
359 |
# mixer_type "none" # optional |
|
360 |
#} |
|
361 |
# |
|
362 |
############################################################################### |
|
363 |
|
|
364 |
|
|
365 |
# Normalization automatic volume adjustments ################################## |
|
366 |
# |
|
367 |
# This setting specifies the type of ReplayGain to use. This setting can have |
|
368 |
# the argument "off", "album", "track" or "auto". "auto" is a special mode that |
|
369 |
# chooses between "track" and "album" depending on the current state of |
|
370 |
# random playback. If random playback is enabled then "track" mode is used. |
|
371 |
# See <http://www.replaygain.org> for more details about ReplayGain. |
|
372 |
# This setting is off by default. |
|
373 |
# |
|
374 |
#replaygain "album" |
|
375 |
# |
|
376 |
# This setting sets the pre-amp used for files that have ReplayGain tags. By |
|
377 |
# default this setting is disabled. |
|
378 |
# |
|
379 |
#replaygain_preamp "0" |
|
380 |
# |
|
381 |
# This setting sets the pre-amp used for files that do NOT have ReplayGain tags. |
|
382 |
# By default this setting is disabled. |
|
383 |
# |
|
384 |
#replaygain_missing_preamp "0" |
|
385 |
# |
|
386 |
# This setting enables or disables ReplayGain limiting. |
|
387 |
# MPD calculates actual amplification based on the ReplayGain tags |
|
388 |
# and replaygain_preamp / replaygain_missing_preamp setting. |
|
389 |
# If replaygain_limit is enabled MPD will never amplify audio signal |
|
390 |
# above its original level. If replaygain_limit is disabled such amplification |
|
391 |
# might occur. By default this setting is enabled. |
|
392 |
# |
|
393 |
#replaygain_limit "yes" |
|
394 |
# |
|
395 |
# This setting enables on-the-fly normalization volume adjustment. This will |
|
396 |
# result in the volume of all playing audio to be adjusted so the output has |
|
397 |
# equal "loudness". This setting is disabled by default. |
|
398 |
# |
|
399 |
#volume_normalization "no" |
|
400 |
# |
|
401 |
############################################################################### |
|
402 |
|
|
403 |
# Character Encoding ########################################################## |
|
404 |
# |
|
405 |
# If file or directory names do not display correctly for your locale then you |
|
406 |
# may need to modify this setting. |
|
407 |
# |
|
408 |
#filesystem_charset "UTF-8" |
|
409 |
# |
|
410 |
############################################################################### |